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Sound the Alarm, Joel 2

Joel

We know little of the prophet Joel beyond a few personal details contained in the book itself. He identified himself as the son of Pethuel, preached to the people of Judah, and expressed a great de

al of interest in Jerusalem. Joel also made several comments on the priests and the temple, indicating a familiarity with the center of worship in Judah (Joel 1:13–14; 2:14, 17). Joel often drew upon natural imagery—the sun and the moon, the grass and the locusts—and in general seemed to understand the reality that truth must have an impact on us in the real world.

The book of Joel’s importance to the canon of Scripture stems from its being the first to develop an oft-mentioned biblical idea: the day of the Lord. While Obadiah mentioned the terrifying event first (Obadiah 15), Joel’s book gives some of the most striking and specific details in all of Scripture about the day of the Lord—days cloaked in darkness, armies that conquer like consuming fire, and the moon turning to blood. Rooted in such vibrant and physical imagery, this time of ultimate judgment, still future for us today (2 Thessalonians 2:2; 2 Peter 3:10), makes clear the seriousness of God’s judgment on sin.

Using what was at that time the well-known locust plague in Judah, Joel capitalized on a recent tragedy to dispense the Lord's message of judgment and the hope of repentance. In referring to the terrible locust plague, Joel was able to speak into the lives of his listeners and imprint the message of judgment into their minds, like a brand sears the flesh of an animal. One commentator notes that the day of the Lord, which is a reference not to a single day only but to a period of judgment and restoration, consists of three basic features: The judgment of God's people, The judgment of foreign nations, The purification and restoration of God's people through intense suffering. We find each of these elements in the book of Joel, as it offers one of the most complete pictures in Scripture of this ultimately redemptive event .


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